Radiator King, Birthday Candles, Freya Wilcox & The Howl

Somewhere between punk and blues – a porch and an alley – lies Radiator King, the performing/recording name of Boston native and Brooklyn based, Adam Silvestri. Established in 2011, Radiator King's music shows influences from both Dylan and Strummer with a sound described by Boston blog Allston Pudding as something akin to what "Tom Waits locked in a room for a month with nothing but a copy of Springstein's Nebraska" might produce. Whether alone with a guitar or backed by a band, Radiator King embodies the raw energy of punk, the grit and intricacy of delta blues, and the lyrical potency of folk in "songs that are the sonic equivalent to an old whiskey bar at the end of a dirt road."

Woven from the moral fabric of integrity and hard work fundamental to hardcore, Silvestri is relentless in bringing his music on the road. With six separate tours spanning from the East to West Coast in 2013 and 2014 alone, Radiator King has played everywhere from basements and bars to art galleries and cafes. Based on a constant energy and the genuine nature of his songs, Silvestri's performances bridge the separation between stage and audience and are reflective of not just the crowd and venue, but the city and neighborhood in which he is performing.

In early 2015, Radiator King will release his second full-length album, Document Untold, followed by a 6-week US tour. In the tradition of American folklore, Document Untold, reflects on the hardships and humanity shared by working class Americans. When asked where his ideas for the album stemmed from, Silvestri explains: "The ones who tell history decide what we remember about the past. It is too often that those at the bottom are forgotten and their story dies off for lack of retelling. I've known these people my whole life. It's their stories and lives that are most inspiring. They possess a certain grit and authenticity that I have always been drawn to. These are the stories worthy of mythologizing. It's these stories I want to tell." With his characteristic rasp, Silvestri sings of those who, despite being overlooked and marginalized by society, refuse to give in and give up. Building on similar themes in his debut album, Launching Day, Silvestri's lyrics tell of the choices, triumphs and tragedies that every life endures.

The album is a compilation of Silvestri's own experiences, observations, and stories passed down. In "On the Corner", Silvestri draws from his father's memories about the neighborhood block where he grew up. On the corner, his gang of friends would congregate. "Growing up I would often hear stories of lots of crazy characters from his neighborhood, many came from nothing and caused their fair share of trouble. But what always stuck with me about the stories were the loyalty and camaraderie. For better or worse and without much to show for it, the guys on the corner had a moral code which they took very seriously. Those who did not respect that code were banished from the corner. When I look around today, I see those same scenarios still exist in cities and towns all across America; most likely they always will." From beginning to end, while the details are specific, the experiences are universal.

From the perspective of one who is dealt a tough hand and repeatedly faces life's injustices, "Under Iron" reflects the album's underlying philosophy of remembrance and documentation of the common man's experience. It captures the story of those who accept and bear the perpetual burdens they face with a heroic sense of pride. Recognizing what is beyond his control, Silvestri's character trudges on and when faced with his own mortality, only cares to be remembered for the strength with which he lived.

At times devastatingly sad, unwaveringly proud, brutally honest, and always raw with emotion, Document Untold reflects Silvestri's versatility as a song-writer and musician. From the heavy, high-energy rampage of "On the Corner", reminiscent of the hardcore scene that Silvestri's musical foundation was built upon, to "It All Grows Old", a poignant ballad about inevitable endings, this multifaceted album is a reflection of emotions to which we can all relate.

To preserve the natural energy at the core of this album, the music is recorded live, supporting Silvestri's powerful vocals and perceptive lyrics. The album was produced by Van Goose (Shlomi Lavie) and engineered by Danny Shatzky at Vibromonk Studio in Brooklyn, NY during the winter of 2014, two years after Radiator King's release of Launching Day, and Silvestri's relocation to Brooklyn.


Just as the name suggests, Birthday Candles are a shimmering embodiment of reflection, hope, and wishful thinking alike. Sparked in the summer of 2013, their journey began when Matt Garamy (guitar/vocals) and Richie Vasta (bass) sent a handful of demos across country to drummer John Hinde. Soon after the initial assembly, the band's lineup developed into and even stronger force than the trio had... anticipated when old time friend Mike Calabria signed on to play rhythm guitar. Although Matt, Mike, and John grew up as friends sharing the stage together in south Florida since 2001, it wasn't until Birthday Candles formed that their values and efforts would finally be fused as one.

There is an indisputable connection between the quartet's live performance and their debut E.P., Letters From Home, recorded at Garamy's This Is Not Dead Studios. By blending indie, punk, and power pop, Birthday Candles express emotionally vibrant songs instilled with a vigorous spirit and a refreshing perspective on past, present, and future.

With one international festival already under their belt (Pouzza Fest IV), it's just a matter of time before Birthday Candles deliver their brashly engaging charm and anthemic pop songs to main stages worldwide.


When a couple of Long Island punks walked into Manhattan's darkest dive bar to find an Aussie blues singer howling from behind a beat up guitar, one of NYC's most unique new punk bands was born.

Before long, Freya's grated ironies and violent bluesy riffs were sitting right at home atop a rhythm section of equally sarcastic and surprisingly talented twenty-somethings, spreading songs about lying to lovers, falling for assholes and fighting for all the wrong things.
Due to release their debut EP 'Bareknuckle Love' in April 2015, Freya Wilcox & The Howl will spreading nasty lies and cutting hooks across the US and Canada on their supporting tour.