Negative Approach, Child Bite, plus more TBA

Detroit's Negative Approach, along with Ohio's Necros, were the undisputed champs of Midwestern hardcore in the early to mid-'80s. Legend has it that vocalist John Brannon recruited drummer OP Moore and the guitar/bass team of Rob and Graham McCulloch at a skate park sometime in 1981. Lead by the bald-headed Brannon's hoarse wail, the band concocted an extreme sound devoid of frills that alternated between violent and mean. This was first fully documented in 1982 on their self-titled Touch and Go 7". The band released the more metallic-sounding Tied Down 12" on Touch and Go in 1983, but died out in 1985 as Brannon incubated the Birthday Party blues of Laughing Hyenas.
Unfortunately lacking the more widespread post-hardcore fame of peers Ian McKaye and Henry Rollins, Brannon's Negative Approach has not gotten the later-day due often accorded Minor Threat and Black Flag. Negative Approach was certainly as influential as those two bands, touching everyone from Poison Idea to Sonic Youth to Los Crudos, as well as entire generations of hardcore fans in Boston and New York. The band was also as original and extreme as any early-'80s punk outfit -- the rhythmic crush created by Moore and the McCulloch brothers continues to be an undeniable steel-toe to the face. An essential show and listen for anyone who wants to understand hardcore.


The no-fluff punk sensibility is combined with flourishes faintly reminiscent of acid-teas-era experimentation, and freaky, tweaked-out vocals. Alternating between 8-bit Nintendo sounds and expansively spacy and epic movements, the music of Child Bite will constantly challenge whichever musical genre you choose to describe them. Like a perfectly balanced amphetamine drunk, there is a sense of euphoria, urgency, and baseless paranoia blended with an overall sense of velocity, a hidden logic and inertia that is both satisfying and mildly frightening.